“Shadow” isn’t ‘brand new’ – “Start Again” is clearly the centerpiece and more notable – but the listener can clearly feel the energy and passion with which Sewell sings with without being privy to a live performance.
Like both preceding cuts, “Shadow” is slickly produced with the music itself providing as much ear candy as Sewell’s awe-inspired vocals. “Shadow” keeps things groovy, with Sewell continuing to show off his celestial instrument. The contrast between the two performances clearly shows that Sewell shouldn’t be pigeonholed. What’s amazing about Sewell is not only the range of his pipes but also the clarity given his terrific tone. Here, Sewell seems to channel the spirit of Michael Jackson. Vocally, Sewell couldn’t do much better to introduce himself to the world, as his performance is simply beautiful. Yes, both songs are completely different in regards to subject matter, but the bombast is a characteristic of both, as well as the meter changes. Interestingly, “Start Again” has some similarities to “Take Me To Church,” the hugely popular hit by singer/songwriter Hozier. Need the proof? All I Know IS the proof as Sewell shows he ‘has the goods’ over the course of the 21-minute EP. Folks, this late twenty-something can flat out blow.
There’s this one guy from Australia whose name is Conrad Sewell that you should definitely check out. He doesn’t rewrite pop-soul, but possesses a potent, killer set of pipes.Īh, there’s nothing like fresh blood! – Not in a vampirical sort of way! No friends, enemies, and non-acquaintances, yours truly is referring to new artists in 2016. Conrad Sewell showcases immense potential on his EP, All I Know.
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